The Best Photos of 2022: Around the World in Ten Stories

Leading imageBuddha was born herePhoto by Olgach Bozalp

Photography is an incredibly rich channel for storytelling. Through visual imagery, photographers negotiate multiple histories, social and political realities, individual identities, and cultural memories, creating a space for generosity and meaningful exchange between people.

In other words, images are tools for establishing new relationships with our world and ourselves. Pair of photos Albarrán Cabrera knows this well, and with his dreamy images of Japan, he aims to stir memory and raise questions about perception and truth. Likewise, Olgach Bozalp Take over Nepal and ask, “Should I really believe what I see and what people say?” At the same time, Jessica Madavo wants us to revisit the beauty of the mundane in the context of life in Senegal.

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Similarly, Tinko Četwertinski explores Brazilian homes and explores how the concept of beauty is derived, while Richard Mosse brings the inescapable reality of environmental destruction to the Amazon. Along the way, Coco Captain travels the Trans-Siberian Railway and battles the sudden arrival of Covid-19. The issue of authenticity concerns Hanna Moon in Korea and Alexandra Lees in Japan; Both their zines, including Sam Gregg’s arresting portraits of Neapolitans, are intuitive and intimate. Finally, along the coast of Jamaica, Manchester-based photographer Jay Johnson reflects on love and family.

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Most of us know Kiko Mizuhara as one of the most respected lenses in fashion and cinema. Alexandra Leez in Marc Jacobs’ About the Sky Kiko in heaven, sympathizing with British-Chinese photographer Kiko: Who are you? “I wanted to get to know the real Kiko,” she said. Taking Liz around Tokyo, Kiko responds to some incredibly intimate shots. “It was a very ‘documentary’ way of working, we were documenting as we went and constantly bouncing ideas off each other,” explains Liz. “It wasn’t too planned and it was important to be honest.”

Read AnOther’s interview Alexandra Lees here.

You may recognize Hannah Moon’s artwork from Harry Styles’ latest album cover.Harry’s house), Gucci To the sun campaign, or even from AnOther magazine. A new photo book by a Korean photographer Almost something It is a witness to a wonderful reflex exercise. These Korean-themed portraits of loved ones show life as it simply unfolds, revealing an image of the country that breaks away from the usual glossy varnish in pop culture. “When I went back to Korea, I saw all these things that you don’t notice,” he said. “I documented them because I thought they were funny, or because I was hanging out with my friends and having fun. “I didn’t think much of it.”

Read AnOther’s interview Hannah Moon here.

“The most powerful thing is when my work is really working, you can feel your hands bleeding like I do,” says Irish photographer Richard Mosse. In the 74-minute film and accompanying book, Broken Spectre Documents the unprecedented depth of deforestation in the Brazilian Amazon. Environmental torment is pervasive; Whether in black-and-white photographic film, microscopic plant biomes exposed in ultraviolet light, or infrared aerial photography captured by multispectral imaging. Mosse allows the bloody specter of ecological oppression to burn into our individual and collective consciousness, making it clear that no one is immune to its specter.

Read AnOther’s interview Richard Mosse here.

As soon as I arrived [in Nepal], everything I did in my art already existed in people’s daily lives. It really inspired me,” said Olgach Bozalp. The first Turkish photographer’s magazine, Buddha was born here. think deeply. Cut in an intricate variety of colors, the images reflect the spiritual dialogue between the self and the outside worldd. “In London, we have one truth, but when I travel to Nepal, they have a different truth,” he explains. “This was my starting point and my ending point: multiple truths exist at the same time.”

Read AnOther’s interview Olgach Bozalp here.

The most intimate stories are at home. The ornaments we choose to keep, the ornaments we hang, the colors we paint our walls tell the story of who we are, and the unique combination of resourcefulness and resourcefulness – “Gambiarra” in Brazilian. Belgian-born photographer Tinko Chetertynski knows this. His project Interior world Beautiful houses were built for the Brazilian working class. “The series will not question, but rather explore what we feel is right in terms of style and taste,” he says. “We can find inspiration everywhere, from very sophisticated and luxurious places, but also from very simple places.”

Read AnOther’s interview Tinko Chevertinski here.

“I’m just showing the humanity of Naples. I’m not trying to sugarcoat things, I’m showing them as they are,” says British photographer Sam Gregg. His latest work, Naples and die – A riff on Goethe Italian tour (1786) – offers a compassionate, cinematic portrait of the enigmatic Neapolitans and their city. Defying the limited history attached to Naples by the media, Gregg presents a humane and passionate sound to the city with his heart. “I did my best to understand, appreciate and learn the culture,” he said. “I believe they can see that in the pictures.”

Read AnOther’s interview with Sam Gregg here.

“He’s my muse and I’ll always photograph him,” says Mancunian photographer Jay Johnson. His new magazine, Munro Close, This is a love letter to his girlfriend Daniela and her family in Jamaica. Inspired by Stephen Shore’s 1982 photography book Unusual places, the food features a lot – a leftover red teddy bear head and raw prawns in water are woven between soft portraits of Daniela and the rest of the family. Love stories have a long history, and for good reason, as the universal themes of intimacy, passion, devotion, and identity emerge here with poignant clarity. Basically, Munro Close is a soft love story.

Read AnOther’s interview Jay Johnson here.

The first book by South African-born photographer Jessica Madavo Black star Describes the unmediated movements of daily life in Dakar, Senegal. In the series of photographs, the everyday mundane radiates a subtle glow, challenging the viewer to consider the beauty in the subtle patterns of their daily routines. “The project shows black people in Senegal, but their blackness or the experience of black people is not the main thing,” he said, “I’m just showing people going about their daily lives, whether it’s a group of friends.” he said. On the beach or two boys walking hand-in-hand and sharing an intimate moment.”

Read AnOther’s interview with Jessica Madavo here.

The start of the pandemic was a fever dream, enhanced reality as we knew it. In this context, Spanish photographer Coco Capitan traveled on the Trans-Siberian Railway to create his Luis. Vuitton Fashion eyes book. in Trans-Siberian, vibrant portraits of life in the Gobi desert punctuate desolate interiors, blue hues and evocative dreamlike landscapes capture a snapshot journey of historical depth. “Honestly, not all projects give you joy and it was quite dark at times,” he said. “But I think it’s vital to talk about making art in difficult times.”

Read AnOther’s interview with Coco Kapitan here.

For 25 years, Barcelona-based Anna Cabrera and Ángel Albarrán have worked within the thin dividing line between the real and the unreal. At their exhibition As far as the eye can see, Japan is chimerical and mnemonic; Nature exists in an otherworldly plane that explores themes of memory, identity, and time. “Our goal is to play with the viewer’s memories and create images in their minds,” they said, “We never know what the end result will be. We’re not interested in evoking certain feelings, but creating prints that evoke different feelings for different audiences. .”

Read AnOther’s interview with Albarrán Cabrera here.


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